Jupiter brass instruments for student - level bands​ MELBOURNE INSTRUMENTS NINA 12-Voice Analog Polyphonic Multitimbral Synthesizer with Motorized Controls

• The introduction of motorized knobs overcomes the mismatch that conventional synthesizers present when changing patches. NINA�s knobs instantly update to predefined positions anytime you change patch, and adjust automatically during console operation, patch morphing, and modulation to accurately display current settings.
• The motorized knobs feel exactly like conventional analog potentiometers, but with the ability to instantly switch between a rotary dial and a multiple position switch to better cater for what you�re controlling and the amount of variance required.
• The tune controls use this feature to switch between coarse step detuning, which works like a rotary switch, and fine detuning, which feels just like a standard potentiometer.
• The motors can also change the amount of resistance that you feel, creating a tighter feel, or change positions to add end stops, zero detents and notched effects.
• The controllers are incredibly precise with more than 16,000 steps of stable accuracy across a single rotation. This level of control allows for super-accurate recall and precise tuning adjustments, giving you the ability to finesse the sound exactly as you desire.

• 3 Oscillators per voice (2 analog VCOs, 1 digital wavetable)
• Oscillator 1 and 2 waveforms morphable between triangle, sawtooth, and blend with the pulse wave
• Suboctave mode for VCO 1 square wave
• Hard Sync Oscillator 2 from VCO 1
• Fine and Course tune control with up to 8-octave range
• 96 kHz 24-bit wavetable oscillator resolution
• User loadable wavetables
• Selectable Fuzz & Noise sources�Pink, White, Oscillator 1 and 2 XOR (Fuzz), or external input
• LFO with selectable shapes, modulatable rate and level controls

• Classic 4-pole transistor ladder VCF
• Modulatable resonance, available as a matrix destination
• Extremely overdrivable, or perfectly smooth low-noise modes

• Traditional ADSR envelope with ultrafast slopes possible
• Melbourne Instruments designed four-quadrant VCA
• Stereo: 2 VCAs per voice
• Infinite panning

• Play up to 12 voices in unison or polyphonically.
• Mono Triggered and Legato modes.
• Selectable polyphonic panning schemes

• Extensive modulation matrix with 16 sources and 27 destinations (no bus count limitation)
• Morphable modulation settings
• Quick to edit MOD mode. Select a source and dial in amounts instantly on control panel
• All MOD amounts are through zero (bipolar)

• Morph between patches to create unique, evolving timbres
• Morph entire patches including both modulation matrices

• 2 ADSR envelopes available as mod sources
• Modulate Attack, Decay, Sustain, Release, and Level, using velocity or any other mod source

• Up to 4 layers for 4 timbres controllable via MIDI channel and note ranges.
• User selectable number of assigned voices per layer.
• Assignable keyboard splits.

• Upgradable VST3 effects algorithms built on an Open Source architecture.
• 96 kHz 24-bit resolution
• Parallel or Series mix modes. Parallel mode retains analog sound.

• Up to 16 step polyphonic
• Adjustable note value
• Hold mode
• Send sequencer to arpeggiator
• Tempo sync from external source

• 4 assignable line level outputs
• Stereo main outputs with effects
• Aux outputs (3 and 4)
• Headphone output

Audio In

• 3 TRS Balanced Line or CV Inputs
• 1 TRS/XLR Combo. Mic for line/CV input
• CV +/-10V max. Analog gain and offset trim