You'll read about how a note is produced, why a chord can move us, why the piano -- hero and villain of tonality -- has shaped the course of Western music, and why it is growing obsolete. Rosen explains what it means that Beethoven composed in his head whereas Mozart would never dream of doing so, why there are no fortissimos in the works of Ravel, and why a piano player's acrobatics have an important dramatic effect but nothing more. Ending on a contemplative note, Piano Notes offers an elegant argument that piano music is not just sound or even significant sound but a mechanical, physical, and fetishistic experience that faces new challenges in an era of recorded music. Rosen ponders whether piano playing will ever again be the same, and his insights astonish
Author:
Publisher: Free Press
Published: 02/03/2004
Pages: 256
Binding Type: Paperback
Weight: 0.72lbs
Size: 8.57h x 5.49w x 0.66d
ISBN13: 9780743243124
ISBN10: 0743243129
BISAC Categories:
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About the Author
Charles Rosen is a concert pianist and music critic. He has twice been nominated for the Grammy Award, and his landmark book, The Classical Style, won the National Book Award. He lives in New York City and Paris